East
Bay Express, February,
1994
Candi Ellis
Shotgun Players present
Harold Pinter's The Lover, a 1963 peer through strychnine-colored
glasses at the institution of marriage, directed by Patrick Dooley. Richard
Silberg as Richard and the sublimely watchable Karen Goldstein as Sarah
demonstrate that British reserve is the mother of more than one lascivious
opportunity. This play meditates on the sterility of marital sex. Or on
the ways in which a man can become jealous of himself. Or maybe on the
unacknowledged quest for preeminence in which each partner to a union
voluntarily and involuntarily participates. No matter. Silberg and Goldstein
offer the audience far more than a thoughtful performance. Silberg by
turns manages supercilious, sensual, and sadistic, without dropping a
stitch. Goldstein's mobile and suggestive face rewards anyone with a good
seat. Go early.
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