"not to be missed." - Robert Hurwitt,
San Francisco
Chronicle
"it's definitely timeless." - Rachel
Swan, East
Bay Express
"entirely entertaining on a gut level
- funny, shocking, intense - Martin's interpretation cleaves
quite close to Brecht's deconstruction of the conventions
of traditional theater." - Sam Stander, The
Daily Californian
"The play, full of contradictions, is funny. It's
also dark and scary, and it's political" - Sally
Hogarty, Contra
Costa Times
"defiantly rude, provocatively crude, and wonderfully
lewd" - George Heymont, myculturallandscape.com
"must-see, darkly-brilliant ... staged
with raw, seductive power by Susannah Martin ... This production
of The Threepenny Opera is worth every cent, and
a whole lot more." - Mike Ward, SF
Bay Times
"I found the culture clash compelling. The tensions
between the acting, text and setting made me sit up and
listen more carefully. I wasn't bored for a moment. Weill
and Brecht came to life." - Chloe Veltman, liesliketruth
"if you love epic theater or punk rock
or you just need to get your bearing on the whole Wall Street
imbroglio, get thee to Shotgun." - Karen D'Souza, San
Jose Mercury News
"An Inventive Production of The Threepenny
Opera" - Richard Connema, Talkin'
Broadway
Regan McMahon interviews Susannah Martin about Threepenny
sfgate.com
"With Shotgun's players at the helm, Threepenny
is a season closer you won't want to miss." - Laureen
Mahler, Flavorpill.com
